Pretty Little buildings {One Frame}

Just super short one-frame post on this wonderfully bright Sunday.

Wouldn’t it be amazing if all buildings were so pretty? I just love this street in Glastonbury, not only is it filled with amazing bookshops and cafes. Just around the corner is Glastonbury Abby which is one of the most magical places I’ve ever been.

A Little Something

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So my summer theme collection of jewellery is now available on Etsy through my shop, I am super excited about this the jewellery is made using fine Merino Wool and each carefully hand felted, these quirky pieces add a little something to any outfit while being very lightweight.

The ring is adjustable so it is comfortable and fitting for any finger and the earrings clip on for a fun alternative for unpierced ears!

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Apocalypsis A/W ’14 collection line-up

Apocalypsis Collection line-up.
Apocalypsis Collection line-up.

The Apocalypsis collection consists of 6 outfits, all of which would be made in responsibly sourced fabrics where possible. Starting on the left, the first is a “onesie” cape in a grey and mustard colour thick linen, with a digitally printed hood, no 2. Is a brown top in a very light cotton and linen paneled trousers that are decorated with blue digitally printed pieces. No 3. Is a simple brown pencil skirt with a silk digitally printed shirt and a decorative leather body piece, the 4th outfit is a pair of baggy trousers with 2 layered trapeze t-shirts, that can be overlaid both of which are digitally printed and the blue one has a detachable hood. No 5. Is a fun and girly dress in grey linen with a 2 colour tutu, a grey decorative leather body piece and mustard coloured jersey leggings – which are decorated with digitally printed blue jersey pieces and finally the last outfit is a simple trapeze digitally printed top in silk with an unusual “cutout” floor length cape/dress in bright blue silk.

Patterns for the future

Apocalypsis textile pattern 1
Apocalypsis textile pattern 1

Apocalypsis design project, using my inspirations of a future post apocalyptic world, modern architecture and body adornment, interpreted with some modern abstract prints in colours that can represent future camouflage, which will in turn be used for decorating sections of my designs.

Apocalypsis textiles pattern 2
Apocalypsis textiles pattern 2

A darker body of colour

design 1 page 2

The image I took from my research to experiment with darker colours, is a piece Harvey Nichols, commissioned Heatherwick studio to produce an installation to celebrate London Fashion Week 1997. I have fallen in love with the work this company produces, one of their more recent pieces being the Olympic Cauldron, for the London 2012 games, if you are unfamiliar with their work check it out it’s amazing.

So using an image of the piece called Autumn Intrusion to experiment with colours on the body, also including design specs of the garment, which can be altered to the wearers’ personal tastes.

Colour on the body

design 2 page 1 blue

Using an image from my research, this one taken from the art exhibition Beyond Infinity by Serge Salat and overlaying a fashion design to experiment with colours, also including design specs of the garment, to show where it can be changed from a “all-in-one” to button up sleeves, which gives the wearer the option to change how this outfit could look depending on their personal style.

Collection photos.

20130721_140723 copy         20130721_140229

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20130721_140400         20130721_133113 copy

20130721_144536         20130721_141219

20130721_140800         20130721_141604

20130721_141214         20130721_133128

20130721_144546         20130721_145159

Re-shoot for Water of Life collection, It’s a fun and girly summer separates range, that can be mixed and matched.

Had such a fun day doing this photo shoot and I need to give a huge thank you to Catherine, who modelled for me, she looks stunning.

Beyond infinity

‘Beyond infinity’ was a 2011, multi-sensory exhibition by the french artist Serge Salat, using mirrors, light, music, and art within architecture to change visitors’ perceptions of space. This was a large exhibition measuring 12.45 by 10.8 meters at a height of 3.8 meters, the main structure a steel infrastructure with a series of honeycomb aluminium panels covered in mirrors. Internally the space utilises spatial techniques traditional of Suzhou gardens as a means to send the visitor on a ‘mystical journey’. Painted wooden grids and steps add additional structure.

Within the installation, there is music playing, the lighting changes as visitors move throughout the various spaces whose dimensions are almost never ending as a result of the reflections cast by the mirrors helped by the lighting which changes from ultraviolet blue to white, offering a complete cycle that recreates day and night.